Published in 1977 as the first volume in the New Accents series, Structuralism and Semiotics made crucial debates in critical theory accessible to those with no prior knowledge of the field. Since then a generation of readers have used the book as an entry not only into structuralism and semiotics, but into the wide range of cultural and critical theories underpinned by these a...(展开全部)

Published in 1977 as the first volume in the New Accents series, Structuralism and Semiotics made crucial debates in critical theory accessible to those with no prior knowledge of the field. Since then a generation of readers has used the book as an entry not only into structuralism and semiotics, but into the wide range of cultural and critical theories underpinned by thes...(展开全部)

Published in 1977 as the first volume in the New Accents series, Structuralism and Semiotics made crucial debates in critical theory accessible to those with no prior knowledge of the field. Since then a generation of readers has used the book as an entry not only into structuralism and semiotics, but into the wide range of cultural and critical theories underpinned by thes...(展开全部)

Central to any understanding of the significance of material objects, whether contemporary or prehistoric, is a discussion of the very nature of interpretation itself: how we 'read' artifacts and inscribe them into the present. This book examines the complex relations between material culture, social structures and social practices from structuralist, hermeneutical and post-st...(展开全部)

Central to any understanding of the significance of material objects, whether contemporary or prehistoric, is a discussion of the very nature of interpretation itself: how we 'read' artifacts and inscribe them into the present. This book examines the complex relations between material culture, social structures and social practices from structuralist, hermeneutical and post-st...(展开全部)

"Eco wittily and enchantingly develops themes often touched on in his previous works, but he delves deeper into their complex nature... this collection can be read with pleasure by those unversed in semiotic theory." --Times Literary Supplement

让•米特里（Jean Mitry，1907—1988），著名电影理论家、评论家、电影史学家，电影导演实践者，电影学教授。 他是法国最受尊敬的、思想深邃的电影理论家和电影史学家之一。他撰写了大量关于电影的文章和专著，两卷本的《电影美学与心理学》（1963，1965），被电 影理论界誉为电影理论史上最重要的学术著作之一，被电影符号学家克里斯蒂安•麦茨尊称为“电影的黑格尔”。而他1987年最后著述的《电影符号学质疑：语言与电影》（1987），则是他对电影符号学的科学分析与批评的经典杰作。